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Posts Tagged ‘Fashion Photography’

Minimalist Shooting in Hermosillo, Sonora

Monday, September 14th, 2009

Jazmin Riley - Hermosillo, SonoraJazmin Riley - Hermosillo, Sonora

Over Labor Day weekend I took a 4-day trip to Hermosillo, Sonora to visit Jazmin Riley before she started her semester at college. Since this was a social visit and not specifically a photography trip, I didn’t want to pack the car full of lighting gear. This trip, I specifically took only my camera bag.

As is typical for us, Jazmin and I are completely incapable of not shooting. There is a broke-down building she’s been driving by every day that casts shadows she’s wanted to work with. This was the first setup we did at the location. We intended to do more, but the heat started to melt the model. We selected a corner that had shadows she liked and was surrounded by other brightly lit walls that provided plenty of bounced light. The location essentially lit itself.

Jazmin Riley - Hermosillo, SonoraJazmin Riley - Hermosillo, Sonora

Because of the heat outside, we decided to do the next setup completely inside the house. To get our bright white glow in the background, we used a window that had a white translucent material covering it, with the sun beating down just outside. To achieve the front lighting, we used the overhead lights on the ceiling fan, accompanied with a lamp positioned up close with the shade removed. The indoor lighting was a bit low, but that allowed for the light from the window to wrap around Jazmin to provide the glow I was looking for.

Portfolio Development Shoot with Britni Morgan

Saturday, July 18th, 2009

Britni Morgan - Model & ActressBritni Morgan - Model & Actress

This past weekend I had the pleasure to work with Britni Morgan on her portfolio before her departure to LA. These are a few of my favorite photos from our session.

Britni Morgan - Model & ActressBritni Morgan - Model & Actress

Britni recently had a part in the upcoming action thriller Piranha 3D, filmed at Lake Havasu in June. The film is due to be released in March next year. We wish her luck in her pursuits in LA.

Shooting Fashion in Downtown Phoenix

Monday, June 22nd, 2009

Jenna Goulder of The Agency ArizonaCaitlin Murphy of The Agency Arizona

This weekend I had the pleasure of working with Lorri Mitchell again. It’s been far too long since we’ve worked together. For this shoot, we shot atop a parking ramp in downtown Phoenix with a great view of the skyline. We were joined for the first time by wardrobe stylist Shannon Campbell and models Jenna Goulder and Caitlin Murphy from The Agency Arizona. Clothing was provided by About F.A.C.E. Boutique in Scottsdale.

After everyone made it to the studio, it’s road construction season in AZ, hair and makeup got underway. When we arrived at the shoot location, the sun was high in the sky and hot. Everyone put up with the heat quite well. The sun even played nice and worked out well for the look I wanted to achieve. Watch for my photos from this shoot on my Flickr photostream.

Fashion Show at Apricot Lane in Tempe Marketplace

Monday, May 18th, 2009

Apricot Lane Fashion ShowApricot Lane Fashion Show

Last night Jazmin Riley and I attended a fashion show at Apricot Lane in Tempe Marketplace. Actually, she was in the fashion show, I attended and shot some photos. It was a pretty cool gathering of models, photographers, hair stylists and clothing designers. I’m looking forward to working with some of them in the near future.

Dramatic Lighting with a Silver Reflector

Monday, May 11th, 2009

Aaron Matthew photograhed by Jazmin Riley

For Jazmin’s final project in her college photography class, she was tasked with taking photographs of people. Being that she’s a model and I’m a photographer, we did what comes naturally, we called up a model. Our friend Aaron Matthew was kind enough to join up with us and donate some time to the project. Hey, no where on the final project instructions did it say we could not utilize professional talent for the subject matter.

We started the shoot in the morning to avoid the afternoon heat, but the sun was already high in the sky. With all the light available to us we started out with 48″ x 72″ white reflector to fill in the shadows. While it was doing its job, the light we were getting wasn’t quite punchy enough to produce the photos Jazmin wanted.

Aaron Matthew photographed by Jazmin Riley

With the switch in wardrobe and background, we also switched out the white reflector for a 48″ x 72″ silver reflector. For these photos, I held the reflector with the long side on the ground, angled slightly to reflect the sunlight onto our model. The change in reflector made all the difference in our lighting setup and added a lot of drama to the overall photograph. It also added about 30 degrees of heat to where the model was standing according to what we heard from Aaron, so be sure to take care and not cook your model when using this type of setup in the summer.

Back Lighting Your Subject

Thursday, May 7th, 2009

Somer - Girls of Rocky Point Calendar GirlWhen shooting on location you may find yourself confronted by beautiful, soft, ambient light. Don’t freak out, it’s alright. Actually it’s great, but that doesn’t mean your setup needs to stop there.

When the afternoon light starts to dim, I take the strobe I’ve been using all day to offset the harsh sun and move it behind the model. This also works for photos in the shade, overcast days and early morning shoots. Photos taken in soft light or shade can lose their “pop”. What moving your strobe behind the model does is add a bit of depth to your photo. By adding a bit of rim light or even simulating sunlight, depending on your setup.

Lighting Diagram for Back Lighting Your SubjectI started using this setup late last year, mostly in various shoots in Mexico. You can see more examples of this setup on my Flickr photostream.

Girls of Rocky Point – Shooting the Calendar

Sunday, April 26th, 2009

Somer - Girls of Rocky Point Calendar GirlJessica - Girls of Rocky Point Calendar Girl

We are currently in Mexico shooting the Girls of Rocky Point Calendar. We’re three days into the shoot and so far we’ve shot on sandy beach, cholla bay, al capitán, the lighthouse and spent yesterday afternoon on a yacht. These are a couple shots from the first night in Puerto Penasco. Later this afternoon we’ll be at Chango’s to shoot the calendar cover photo.

Beauty Inspired Shoe Photo Shoot with Jazmin Riley

Friday, February 13th, 2009

Beauty inspired high-fashion photo shoot with Jazmin RileyOne of my favorite styles of photography to shoot is close-up beauty and fashon work with clean, simplistic lighting. This photo shoot was no exception.

While chatting with Gwen and Lorri, Jazmin brought up a concept she had been interested in for some time, a beauty inspired setup using shoes as a high-fashion prop. Everyone liked the idea and Gwen was looking to add more fashion photos to her portfolio, so we got to it and started to flush out the concept.

Lorri decided to go with a contrasting look for each of the models. Gwen’s makeup took on a moody and fashion feel, with dark eyes and pale skin. Jazmin’s makeup more clean and natural. For each setup, the model’s makeup was updated slightly to match the shoes they were working with. I went to work on changing the lighting, while Jazmin sorted through a pile of shoes she brought from her collection.

Lighting Diagram for Fashion Photo Shoot with Jazmin RileyFor this series, I used a variation of the lighting I often like to use in my beauty work. The setup involves a single strobe, used as the main light and a number of reflectors. The main light strobe was fired into a large satin umbrella that was placed high and directly in front of the models. For the background I was looking to capture a soft light gray, so I decided upon using the white seamless and not directly lighting it. The fall off from the main light was enough to create the color I was looking for. The large umbrella itself creates a soft wrap around light, though I wanted very little shadows and a few of the setups were to include both models. To accommodate this, I added two large white reflectors on both sides of the set, placed four feet or so away from the models to maintain a little bit of the shaping qualities from the light falling off. Lastly, a white reflector was placed at floor level, angled towards the models to provide a little fill under their chins.

If you’d like to see more from this shoot, watch my Flickr photostream as I post more photos over the next couple weeks.