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Archive for the ‘Photo Shoot’ Category

Hip Hop at Sunset with Foot Klan

Wednesday, October 7th, 2009

Foot Klan Dance TroupeFoot Klan Dance Troupe

I recently had the pleasure of shooting with Foot Klan again. Always a good time. This shoot was setup by my good friend Matthew Dutile. Hip hop dancing, photography, good friends and a sunset. That’s an invite you can’t pass up.

As the dancers started to roll in, we setup for some individual portraits rooftop and in the stairwell. For my portraits in the stairwell, I wanted something a bit urban and gritty. I setup in one of the areas that had strong natural back lighting and threw in a small strobe right up against the wall opposite of the sun.

Foot Klan Dance Troupe

As the sun started to set we headed back topside out to the middle of the parking ramp and let the dancers take over. We set them up with some dramatic back lighting and they put on a great show. I had the opportunity to practice with Foot Klan for a few months a couple of years ago, it was a lot of fun, but needless to say, I’ll leave the dancing to them and stay behind the camera.

Minimalist Shooting in Hermosillo, Sonora

Monday, September 14th, 2009

Jazmin Riley - Hermosillo, SonoraJazmin Riley - Hermosillo, Sonora

Over Labor Day weekend I took a 4-day trip to Hermosillo, Sonora to visit Jazmin Riley before she started her semester at college. Since this was a social visit and not specifically a photography trip, I didn’t want to pack the car full of lighting gear. This trip, I specifically took only my camera bag.

As is typical for us, Jazmin and I are completely incapable of not shooting. There is a broke-down building she’s been driving by every day that casts shadows she’s wanted to work with. This was the first setup we did at the location. We intended to do more, but the heat started to melt the model. We selected a corner that had shadows she liked and was surrounded by other brightly lit walls that provided plenty of bounced light. The location essentially lit itself.

Jazmin Riley - Hermosillo, SonoraJazmin Riley - Hermosillo, Sonora

Because of the heat outside, we decided to do the next setup completely inside the house. To get our bright white glow in the background, we used a window that had a white translucent material covering it, with the sun beating down just outside. To achieve the front lighting, we used the overhead lights on the ceiling fan, accompanied with a lamp positioned up close with the shade removed. The indoor lighting was a bit low, but that allowed for the light from the window to wrap around Jazmin to provide the glow I was looking for.

Shooting Into The Sun With Aaron Matthew

Saturday, August 22nd, 2009

Aaron Matthew - Phoenix Arizona Model

This past week I had the pleasure of shooting with Aaron Matthew, a Phoenix-area model and friend of mine. I have wanted to try shooting a style that is a little different than my usual work. For this shoot I wanted to work with the natural light and shoot into the sun.

Aaron Matthew - Phoenix Arizona Model

A couple hours before sunset, I met up with Aaron to pick out some outfits. Once we decided on the wardrobe for the shoot, we headed off to a dusty field in Tempe. One of the qualities I really liked about the location is you cannot tell we’re surrounded by the city. The field also offered a golden color that complimented the light of the setting sun.

Aaron Matthew - Phoenix Arizona Model

Using the sun as a light source behind the model isn’t something new to me, though I usually offset it with a powerful strobe in front of the model… or at minimum a reflector. I intended to use a reflector this time around too, but the wind had other plans. The reflector was quickly abandoned when it was turned into a gigantic sail that tried to blow me across the desert.

Aaron Matthew - Phoenix Arizona Model

Getting the sun aligned where I wanted it wasn’t as difficult as I expected, it was focusing on Aaron that proved to be a challenge. With the sun shining straight into the lens, quite often the camera couldn’t lock focus on it’s own. Temporarily blocking out the sun solved that issue and I was able to get the shots I was looking for. I like this style a lot and plan to work with it more in the future.

Aaron Matthew - Phoenix Arizona Model

Creativity Doesn’t Need a Plan

Thursday, July 30th, 2009

Jazmin Riley - www.jazminmodel.com

The further I get into my photography career, I have found myself experimenting less and less on the fly. Everything has a plan, a concept, a location. I know exactly what I want to shoot, how I want to light it and can see the finished image in my head before I press the shutter.

When I first started out, especially when I first started working with models, it was very much the opposite. A model and I, or a group of models and photographers would meet up at a location with nearly no preconceived ideas about what were wanted to shoot. When we arrived at the location we’d scout, light, choose wardrobe, everything on the fly. We let the photo evolve out of what we had available to us at the time. Creativity just happened, it wasn’t planned.

This past weekend I had the urge to just go out and shoot something. I have a few setups I’d like to shoot Jazmin Riley for an editorial I have in mind. In response to my shoot proposal, Jazmin said, “You don’t shoot anything without a plan. Why don’t you go out, scout your location and we’ll shoot it next weekend.”

Jazmin Riley - www.jazminmodel.com

I didn’t have a plan and that’s exactly how I wanted to shoot. We decided to do a shoot and we weren’t even going to leave the apartment to do it. We quickly paged through folders of inspiration photos and found a concept to build off. Once we had our concept, we headed to the bathroom, filled up the tub, cut the heads off some dried flowers, tossed them in the water, followed by Jazmin.

I’ve grown accustomed to using my monolights everywhere I shoot, but that just wasn’t going to work in the small cramped space. Instead I grabbed one of my speedlights, attached it to the shower rod with a justin clamp, strapped a pocket wizard to it and we started to shoot.

Nothing about this shoot was planned, not even the processing. We both liked the photos straight out of the camera, but thought it’d be cool to take them in a different direction than my standard processing. After tweaking the curves to get a cross processed look and muting the colors a bit, this is what we ended up with.

Portfolio Development Shoot with Britni Morgan

Saturday, July 18th, 2009

Britni Morgan - Model & ActressBritni Morgan - Model & Actress

This past weekend I had the pleasure to work with Britni Morgan on her portfolio before her departure to LA. These are a few of my favorite photos from our session.

Britni Morgan - Model & ActressBritni Morgan - Model & Actress

Britni recently had a part in the upcoming action thriller Piranha 3D, filmed at Lake Havasu in June. The film is due to be released in March next year. We wish her luck in her pursuits in LA.

Knowing When to Change Course and Reinvent the Shot

Tuesday, June 30th, 2009

Shooting Beauty in Studio with Gwen Lindvig This past week I had a test shoot with model Gwen and Makeup Artist Heather Wilson. I’ve shot with Gwen once before. For Heather and I, this was our first shoot together after finally meeting a month or so ago at a magazine release party, rooftop at the W Hotel in Scottsdale.

For this shoot, we had a few looks in mind for the three setups we were going to shoot. This is one of the photos I liked from this setup. My style is rooted in beauty, fashion and the occasional lifestyle shoot. I’m definitely not a glamour photographer. Though with this shoot, every setup seemed to keep sliding into a glamour look.

While taking about a past shoot, a photographer once told me I should never tell a model that what we’re shooting isn’t working. Evidently, “it undermines your talent and negatively affects the model’s confidence”. I completely disagree. Everyone at the shoot came to create something great and wants to walk away from the shoot knowing they achieved that goal. In reviewing the photos, you find that you’re just not feeling it or the shoot is not heading in the desired direction, stop, speak up and evaluate what needs to change.

The key to successfully changing course and reinventing your shot is balance. There is no point to continue down a path that leads to photos that don’t speak to you. However you must be brief in your reflection and modifications. Too much time spent in changing direction will start to wear on your team’s enthusiasm. If you’re going to change course, be sure you can come up with an alteration or new direction quickly. I’ve learned this lesson a couple times over. Too much tweaking and fiddling with your lights, to get just the right effect, can strongly impact your model’s interest level.

On this shoot I tried a few new setups and got some good shots, though in hindsight, there were a few opportunities for reinventing the shot that could have produced photos more inline with my style and vision. Don’t be afraid to change it up when it’s not moving in the direction you desire.

Shooting Fashion in Downtown Phoenix

Monday, June 22nd, 2009

Jenna Goulder of The Agency ArizonaCaitlin Murphy of The Agency Arizona

This weekend I had the pleasure of working with Lorri Mitchell again. It’s been far too long since we’ve worked together. For this shoot, we shot atop a parking ramp in downtown Phoenix with a great view of the skyline. We were joined for the first time by wardrobe stylist Shannon Campbell and models Jenna Goulder and Caitlin Murphy from The Agency Arizona. Clothing was provided by About F.A.C.E. Boutique in Scottsdale.

After everyone made it to the studio, it’s road construction season in AZ, hair and makeup got underway. When we arrived at the shoot location, the sun was high in the sky and hot. Everyone put up with the heat quite well. The sun even played nice and worked out well for the look I wanted to achieve. Watch for my photos from this shoot on my Flickr photostream.

Dramatic Lighting with a Silver Reflector

Monday, May 11th, 2009

Aaron Matthew photograhed by Jazmin Riley

For Jazmin’s final project in her college photography class, she was tasked with taking photographs of people. Being that she’s a model and I’m a photographer, we did what comes naturally, we called up a model. Our friend Aaron Matthew was kind enough to join up with us and donate some time to the project. Hey, no where on the final project instructions did it say we could not utilize professional talent for the subject matter.

We started the shoot in the morning to avoid the afternoon heat, but the sun was already high in the sky. With all the light available to us we started out with 48″ x 72″ white reflector to fill in the shadows. While it was doing its job, the light we were getting wasn’t quite punchy enough to produce the photos Jazmin wanted.

Aaron Matthew photographed by Jazmin Riley

With the switch in wardrobe and background, we also switched out the white reflector for a 48″ x 72″ silver reflector. For these photos, I held the reflector with the long side on the ground, angled slightly to reflect the sunlight onto our model. The change in reflector made all the difference in our lighting setup and added a lot of drama to the overall photograph. It also added about 30 degrees of heat to where the model was standing according to what we heard from Aaron, so be sure to take care and not cook your model when using this type of setup in the summer.

Back Lighting Your Subject

Thursday, May 7th, 2009

Somer - Girls of Rocky Point Calendar GirlWhen shooting on location you may find yourself confronted by beautiful, soft, ambient light. Don’t freak out, it’s alright. Actually it’s great, but that doesn’t mean your setup needs to stop there.

When the afternoon light starts to dim, I take the strobe I’ve been using all day to offset the harsh sun and move it behind the model. This also works for photos in the shade, overcast days and early morning shoots. Photos taken in soft light or shade can lose their “pop”. What moving your strobe behind the model does is add a bit of depth to your photo. By adding a bit of rim light or even simulating sunlight, depending on your setup.

Lighting Diagram for Back Lighting Your SubjectI started using this setup late last year, mostly in various shoots in Mexico. You can see more examples of this setup on my Flickr photostream.

Girls of Rocky Point – Shooting the Calendar

Sunday, April 26th, 2009

Somer - Girls of Rocky Point Calendar GirlJessica - Girls of Rocky Point Calendar Girl

We are currently in Mexico shooting the Girls of Rocky Point Calendar. We’re three days into the shoot and so far we’ve shot on sandy beach, cholla bay, al capitán, the lighthouse and spent yesterday afternoon on a yacht. These are a couple shots from the first night in Puerto Penasco. Later this afternoon we’ll be at Chango’s to shoot the calendar cover photo.